 |
Yuri Nikolaevich Chumakov’s Last Notebook
In detail |
| | Elena G. Basalaeva
Modern Olfactory as an Object of Interdisciplinary Research
In detail |
| | Mikhail Ya. Dymarsky
Chto ni slovo, to zoloto: About one Construction of Interpretive Syntax
In detail |
| | Tatiana A. Tripolskaya
Verbs of Motion in the Metaphorical Emotive Meaning: Multidirectional Evaluation of the Event by the Participants of the Situation
In detail |
| | Natalia V. Kozlovskaya
New Words and Meanings Reflected in Poetic Quotes (On the Contextual Component
of the “Dictionary of the Russian Language” Edited by N. S. Derzhavin)
In detail |
| | Marina V. Shpilman
A Parody Text as a Way to Realize the Linguistic and Creative Potential of a Linguistic Personality (Based on Literary Parodies by L. Filatov)
In detail |
| | Marina A. Lappo; Chen Shan
The ‘Actor Interview’ Subgenre: Dynamic and Interpretive Aspects
In detail |
| | Natalya A. Muratova, Galina A. Zhilicheva
Reinterpretation of M. Bulgakov’s Cine Optics in the Script by S. Bodrov Jr. and in A. Balabanov’s Film “Morphine”
In detail |
| | Valery Z. Demyankov
On Individual Uniqueness and Epistemic Warrants of Discourse: Linguistic Pragmatics
in the Works of Yury S. Stepanov
In detail |
| | Vladimir V. Feshchenko
Towards Poetic Pragmatics
In detail |
| | Elena E. Brazgovskaya
On the Perfection of “Imperfect” Languages (Based on the Pages of Texts by Slavic-Speaking Authors)
In detail |
| | Igor E. Kim
Graphics and Paragraphemics: Where is the Boundary Between Linguistics and Paralinguistics of Writing
In detail |
| | Svetlana E. Kuzina, Maria S. Berendeeva
The Concept of ГЕНИЙ / GENIUS in the Discourse of Documentary Drama: The Linguistic and Cultural Aspect
In detail |
| | Aiiana A. Ozonova
Comparative Constructions of Inequality in the Altai Language (In Comparison with Khakas)
In detail |
| | Vladimir K. Vasiliev
Tatiana Larina and Turgenev’s Heroes – Mental Space, Everyday Life, Appearance and Fate
In detail |
| | Anna A. Bogoderova
The Restaurant Locus in the Prose of Shanghai Émigrés of the 1920s and 1940s
In detail |
| | Olga E. Rubinchik
“...Passed Me the Highest Orders...”: Akhmatova’s Note with Instructions to Nika Glen
In detail |
| | Valerij V. Maroshi
Towards the Wind: Northeast and Northeast Wind in the Dynamics of the Russian Frontier
In detail |
| | Igor V. Silantev
Lyrical Plot Formation in Modern Short Prose
In detail |
| | Natalia G. Bragina
New Poetic Genres of Online Humor: The Russian Publik “I See Rhymes”
In detail |
