 | Irina V. Zykova
Interdiscursive Parameters of Linguistic Creativity (The Case Study of Cinematic Discourse)
In detail |
| | Maria I. Kiose, Anna A. Stepanova
Reference Frame Modification in the Assessment of Discourse and Author’s Linguocreativity
In detail |
| | Olga V. Sokolova
Pragmatic and Semantic Parameters of Linguistic and Discursive Creativity in Advertising
In detail |
| | Valentina I. Postovalova
Prayer as Creativity in the Religious Discourse of Orthodoxy (Constants and Innovations)
In detail |
| | Olga V. Sokolova, Ekaterina V. Zakharkiv
Creative Pragmatics of Poetic Discourse
In detail |
| | Ekaterina S. Shmeleva
Hybridization of Linguacreative Items in English- and Russian-Language Media(Based on Articles Addressing Events of Current Russian Politics)
In detail |
| | Syuzanna S. Kulidzhanyan
Precedent Phenomena in British Comedy Films: Reproducibility and Linguo-Creative Potential
In detail |
| | Uliana S. Alekseeva, Timofey D. Alekseev
Fanfiction as Apocryphal Literature and Postmodern Myth
In detail |
| | Gazinur G. Gizdatov, Aiym A. Aldabergenova
Discursive Interpretations of the Novel of J. Heller “Catch-22” in Translation Practice
In detail |
| | Yuri L. Troitsky, Oleg S. Valuev, Marina A. Matyunina
Psychosemiotics of Self-Consciousness: From Interdisciplinary Origins to Interpretation Techniques
In detail |
| | Igor E. Kim
Paired Punctuation Mark: A Universal Model and Features of Its Implementation
In detail |
| | Irina A. Nevskaya, Ajana A. Ozonova, Alena R. Tazranova, Natalia N. Fedina
Semantics and Scope of Reference of Imperative Forms of the 1st Person of the Non-Singular Number
In detail |
| | Elena V. Tyuntesheva, Olga Yu. Shagdurova
Verb Correlations in Siberian Turkic Languages (In Contrast with Kipchak Languages)
In detail |
| | Anna A. Grinevich
Ontology of Folklore Genres
In detail |
| | Pavel S. Shakhov, Igor V. Zubov
Funeral and Memorial Lamentations of Erzya Mordvins of Zalesovskoe Prichumyshe: Functional and Semantic Aspect
In detail |
| | Veronika B. Zuseva-Ozkan
“First Love” by I. S. Turgenev as a Paradigmatic Text of Russian Literature: Embedded Story and Love Narrative
In detail |
| | Anatoly V. Korchinsky
Reality as Project: Towards a Poetic and Political Epistemology of the Romantic World (“What is to be Done?” by N. G. Chernyshevsky and “The Demons” by F. M. Dostoevsky)
In detail |
| | Lyudmila P. Yakimova
Cryptography as a Feature of the Poetic Structure of A. P. Chekhov’s Play “Three Sisters”
In detail |
| | Anna A. Bogoderova
Intertextual References to Russian Literature of the 19th and Early 20th Centuries in the Poetry of Shanghai Emigrant Writers of the 1930–1940s
In detail |
| | Elena V. Kapinos
Silhouettes of Harbin Poets in V. Pereleshin’s “Poem without Subject”: Nikolay Peterets
In detail |
| | Tatiana A. Bogumil
Concept SIBERIA in the Work of Dmitry A. Prigov
In detail |
| | Vladimir G. Bogomyakov, German M. Preobrazhensky 2
The OsumBez Partnership: Principles of New Realism
In detail |
| | Kseniya A. Vorotyntseva
Everyday Life in Dmitry Gorchev’s Novel “Life without Carlo”
In detail |
| | Olga A. Grimova
Transformation as a Model of Narrative Intrigue in D. Glukhovsky’s Novel “Text”
In detail |
| | Pavel E. Zhilichev
Comedy of Menace as a Specific Kind of Absurdist Discourse (D. Campton, H. Pinter, D. Danilov)
In detail |
