 | Yu. N. Chumakov
Asemantic Aspect of a Text: Boris Pasternak’s “Poetry”
In detail |
| | E. I. Khudoshina
Yu. N. Chumakov’s Verse Theory
In detail |
| | Yu. V. Shatin
Yu. N. Chumakov and Russian versicle novel
In detail |
| | A. А. Hansen-Löve
The Russian Acropolis – About logocentrism between symbolism and
avant-garde
In detail |
| | L. A. Khodanen
Artistic semantics of the image of Mary and the story polyphony of
«Feast during the plague» by A. Pushkin
In detail |
| | E. N. Penskaya
«Well, wait a bit!» Approaching to one guess of Yury Chumakov
In detail |
| | T. I. Pecherskaya
Dostoyevsky’s pawn: three thousand at the novel «Crime and Punishment»
In detail |
| | E. N. Proskurina
«Funny» characters by Dostoyevsky in A. Platonov’s artistic reception
In detail |
| | N. V. Nalegach
The creative refraction of Pushkin\s motif of poetic immortality in the
dialogic «reflection poetics» of I. Annensky
In detail |
| | E. Yu. Kulikova
About magistral and marginal ways of Russian poetry: Nikolay
Gumilev and Pavel Bulygin’s «alien stars»
In detail |
| | I. E. Loshchilov
Semyon Kirsanov’s poem «Mary-rider» (1925): the Name of Hero, the
Plot and Zaum’ (Nonsense)
In detail |
| | G. A. Zhilicheva
The Reception of Pushkin’s Literary Tradition in Yuri Olesha’s Works
In detail |
| | N. O. Laskina
“Chopin, sea of tears…”: around a poem by Marcel Proust
In detail |
| | M. Costantini
Venexia, Constantinoupolis, Konstantiniyye: enchevêtrements, ajustements,
hybridations
In detail |
| | I. V. Demin
Substantiation of the cultural-semiotic approach to history in Ernst
Kassirer’s philosophy
In detail |
| | Yu. A. Asoyan
«Courage of truth» and «care of the self» Foucault (objection Lorenzo
Bernini)
In detail |
| | E. A. Deyneka
«Poetics of philosophy», or Henri Meschonnic’s Anti-Heidegger
In detail |
| | V. A. Konev
Umberto Eco: the Poetics of Joyce and the Transformation of the Type
of Culture
In detail |
| | O. V. Sokolova
Images of Language in Manifestos of the Italian, Russian and American
Avant-garde
In detail |
| | T. S. Simyan
Towards the Understanding of the Concepts of «Modernity»,
«Modernism» and «Avant-garde» in (Post) Soviet and German Study of Literature
(An Attempt of Terminological Unification)
In detail |
| | M. Yu. Martynov
Discursive interaction as the basis of anarchist symbols (in the example
of the symbol «circle-A»)
In detail |
