| R. Grübel
Culture as a Transition / Translation. “Heavenly Animal” by Vera Pavlova
In detail |
| A. Bierich
Transfers of Criminal Subculture into Russian Poetry at the End of the
20th – the Beginning of the 21st Century
In detail |
| H. Stahl
Cultural Transfer and Subject in Metaepos “Gnedich” by M. Rybakova
In detail |
| E. Evgrashkina
Hendrik Jackson’s German Translation of Alexei Parshchikov’s Poem
“Oil”
In detail |
| A. Tretiakova
“Psalm” by P. Celan: Analysis and Translations into Russian
In detail |
| A. Schmitt
The Function of the Concepts of East and West in the Poetry of Olga
Sedakova and Elena Shvarts
In detail |
| A. Gavrilyuk
Language as a Major Agent in the Poetry of Alexander Kabanov
In detail |
| T. A. Mikhailova
Croch ~ cros ‘cross’: Latin Borrowings and Christian Traditional Metaphors
in Early Ireland
In detail |
| A. V. Proskurina
On the Issue of Performativity of Hymns
In detail |
| Yu. A. Asoyan
Ethical Poesis and Care of Oneself. From Esthetics of Coexistence to
Genealogy of Ethics
In detail |
| T. S. Simyan
From Biosphere to Noosphere: Theory and Practice
In detail |
| K. S. Sharov
The System of Fashion: Historical and Semiotic Analysis and Gender
Social Implications
In detail |
| I. V. Kuznetsov
In Line of Queer Personages: Device as Object of Artistic Vision
In detail |
| A. E. Kozlov
Spontaneous Semiotics of Nikolay Akhsharumov
In detail |
| A. E. Bochkarev
How to Read a Leskov’s Story “Chertogon” (“The Devil-Chase”):
There Is Absolutely no Life…
In detail |
| A. B. Borisova
Creativity of Arseny Nesmelov in Literary Aspect: History and Prospects
of Research
In detail |
| N. Yu. Petrova
The Interdisciplinary Notion of Perspective as a Result of Terminological
Transferization
In detail |
| N. V. Zlydneva
Portrait in the Avant-garde Painting: Between a Name and a Myth
In detail |
| D. I. Ivanov
Film Construct Modeling: A System of Status-Role Political Markers
In detail |
| I. V. Silantev
Theory of Arts as a Popular Science Topic in the “Soviet Photo” Magazine
In detail |
| P. S. Zarutskiy
Silence on the Page: The Usage of Blank Space in the Greek Poetry
in the 20th century
In detail |
| E. E. Brazgovskaya
From Things to Concepts: Cognitive-Semiotic Notes about the «House
of the Philosopher» by Czesław Miłosz
In detail |
| I. O. Dementev
Tower of Babel: From Symbol to Language Methods (‘Gorgorod’ by
Oxxxymiron)
In detail |