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Name: “I’ll sing for pure-hearted people...”: The musical and poetic legacy of Alexander M. Kotusov

Authors: Konstantin A. Sagalaev

Institute of Philology of the Siberian Branch of the Russian Academy of Sciences, Novosibirsk, Russian Federation

In the section Study of folklore

Issue 3, 2026Pages 27-39
UDK: 398.8, 784.4, 811.553DOI: 10.17223/18137083/96/2

Abstract:

Understudied and near extinction, the Ket song tradition is vital to a small Siberian indigenous culture, threatened by language loss, assimilation, and the passing of elders. This article presents the first comprehensive scholarly examination of the musical and poetic legacy of Alexander Kotusov (1955–2019), the last outstanding bearer of the personal song genre (il’). The source material comprises field recordings collected by the Institute of Philology of the Siberian Branch of the Russian Academy of Sciences during the 2005 expedition for the Folklore of the Kets volume. The investigation focuses on two songs documented in 2005, alongside one performance sourced online. Particular attention is paid to Kotusov’s practice of contrafacture: adapting popular Russian and foreign hits into the Ket language while preserving traditional poetics. A comparative textual analysis of one adaptation, a song about ancestral hunting territories set to a popular melody, demonstrates that despite minimal semantic correlation with the original source, Kotusov produced a remarkably original philosophical creation rich in animistic metaphors, cyclical temporal themes, and sacred place names. His lyrics transform borrowed melodies into powerful vehicles for expressing the Ket worldview, wherein nature is animate, death signifies returning to ancestral lands, and birds perform shamanic rituals. While stemming from personal genius rather than communal revival, Kotusov’s episodic oeuvre holds immense scientific value as a unique late testimony to Ket musical culture. Following his death, this living tradition is considered irrevocably lost, though preserved archival recordings offer vital hope for future linguistic and anthropological research.

Keywords: Kets, personal songs, borrowings, translation, song traditions of the peoples of Siberia, current state, fading traditions

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