Institute of Philology of the Siberian Branch of Russian Academy of Sciences
Monuments of Folklore Siberian Journal of Philology Critique and Semiotics
Yazyki i fol’klor korennykh narodov Sibiri Syuzhetologiya i Syuzhetografiya
Institute of Philology of
the Siberian Branch of
Russian Academy of Sciences
По-русски
  
Sibirskii Filologicheskii Zhurnal (Siberian Journal of Philology)
По-русски
Archive
Editorial board
Our ethical principles
Submission Requirements
Process for Submission & Publication
List of Typos
Search:

Author:

and/or Keyword:

Article

Name: “Sounds, ellipses, parentheses…”: punctuation marks as expressive means in poetry

Authors: Elena K. Nikolaeva, Elena I. Seliverstova

St. Petersburg State University, St. Petersburg, Russian Federation

In the section Linguistics

Issue 4, 2023Pages 272-286
UDK: 003.086:821.161.1-1DOI: 10.17223/18137083/85/20

Abstract:

The graphic units of the cultural code, such as commas, periods, ellipsis, parenthesis, and others, have clearly defined functions in a language. They allow placing logical accents within a sentence, formatting the grammatical structure of a complex sentence, and expressing the intonational properties of a sentence. In fiction, not only the choice, frequency, and usage of punctuation marks are aesthetically motivated. Also, the actual words denoting these marks become the object of the author’s reflection, with their content merged with the conceptual world of a prosaic or a poetical text. In poetic language, punctuation marks are used to transform concepts into vivid imagery and to re-imagine the customary in a creative manner. The outer form of the punctuation symbols can be variously conceptualized in a text, allowing analogies to be drawn with various objects or even the poetic persona. For instance, a comma can be compared to a fetus in a mother’s womb. Examining various associations of punctuation marks in poetic language shows a wide range of possible interpretations by the poets. These interpretations include: a period is a signal not only of finality and irreversibility but also of hopelessness and even death; brackets stand for inclusion or expulsion, excommunication, incompleteness; an ellipsis is a symbol of something unfinished or unclear but also of hope, perseverance, and perspective. Grammatical, intonational, and semantic functions help forge individual authors’ usage, which is no longer directly connected to the graphic code alone.

Keywords: punctuation marks, dot, ellipsis, comma, brackets, poetic text, image

Bibliography:

Androsova F. S. Funktsional’no-strategicheskiy potentsial avtorskikh punktuatsion-

nykh znakov v khudozhestvennom diskurse [Functional-strategic potential of author's punctuation signs in artistic discourse]. Abstract of Cand. philol. sci. diss. Kemerovo, 2015, 25 p.

Dzyakovich E. V. Ekspressivno-stilisticheskie punktuatsionnye priemy [Expressive and stylistic punctuation techniques]. In: Tipy yazykovykh edinits i osobennosti ikh funktsionirovaniya [Types of linguistic units and features of their functioning]. Saratov, 1993, pp. 61–66.

Gasparov M. L. O russkoy poezii: analizy, interpretatsii, kharakteristiki: Avtorskiy sbornik [About the Russian poetry: analyses, interpretations, characteristics: Author’s collection]. St. Petersburg, Azbuka, 2001, 476 p.

Gogolina T. V. Kreativnyy potentsial vospriyatiya poeticheskogo teksta: punktuatsiya i smysl [Creative potential of poetic text perception: punctuation and meaning]. Ural Journal of Philology. Series: Language. System. Personality: Linguistics of creativity. 2012, no. 3, pp. 139–146.

Khaylova E. G. Rol’ tire v stikhotvornykh tekstakh I. F. Annenskogo [The role of the dash in the poetic texts of I. F. Annensky]. In: Yazyk, soznanie, kommunikatsiya: Sb. st. [Language, consciousness, communication: Collection of articles]. V. V. Krasnykh, A. I. Izotov (Eds.). Moscow, MAKS Press, 2001, iss. 18, pp. 107–112.

Klevtsov A. N. Semantika i funktsii kavychek v sovremennom russkom yazyke (na materiale pechatnykh SMI) [Semantics and functions of quotation marks in the modern Russian language (on the material of printed media)]. Cand. philol. sci. diss. Yaroslavl, 2009, 192 p.

Kovtunova I. I. Poeticheskiy sintaksis [Poetic syntax]. Moscow, Nauka, 1986, 206 p.

Kozhina M. N. Stilistika russkogo yazyka: Ucheb. posobie dlya stud. fak. russkogo yazyka i literatury [Stylistics of the Russian language]. Moscow, Prosveshchenie, 1977, 223 p.

Kuznetsova E. V. Stilisticheskie funktsii mnogotochiya v usechennykh konstruk-tsiyakh (na materiale proizvedeniy S. Dovlatova) [Stylistic functions of ellipsis in truncated constructions (based on the works of S. Dovlatov)]. South Ural State University Bulletin. 2011, no. 22, pp. 108–110.

Lotman Yu. M. Struktura khudozhestvennogo teksta [The structure of a literary text]. Yaroslavl, 2009, 192 p.

Potsepnya D. M. Obraz mira v slove pisatelya [The image of the world in the word of the writer]. St. Petersburg, SPbSU, 1997, 264 p.

Rakhimkulova G. F. Olakrez Nartsissa: proza Vladimira Nabokova v zerkale yazykovoy igry [Olacrez Narcissus: Vladimir Nabokov’s prose in the mirror of the language game]. Rostov-on-Don, RSU, 2003, 320 p.

Rogova K. A. “Za kazhdym tekstom stoit yazykovaya lichnost’” [“There is a linguistic personality behind every text”]. In: “Lish’ slovu zhizn’ dana…” Sb. st., posvyashch. yubileyu dots. SPbGU M. A. Shakhmatovoy [“It is only to the word that life is given...” A collection of articles dedicated to the anniversary of Associate Professor M. A. Shakhshakhova]. St. Petersburg, MIRS, 2008, pp. 139–143.

Safronova I. P. Esteticheskie funktsii punktuatsii v poezii Mariny Tsvetaevoy (na materiale tsiklov “Stikhi k Bloku” i “Stikhi k Pushkinu”) [Aesthetic functions of punctuation in the poetry of Marina Tsvetaeva (on the material of cycles “Poems to Blok” and “Poems to Pushkin”)]. Abstract of Cand. philol. sci. diss. Izhevsk, 2004, 23p.

Shvedova N. Yu. Russkiy yazyk: izbrannye raboty [Russian language: selected works]. Department of History and Philology, V. V. Vinogradov Institute of Russian Language, RAS, Moscow, LRC Publishing House, 2005, 639 p.

Solganik G. Ya. Stilistika teksta: Ucheb. posobie [Stylistics of the text: Textbook]. Moscow, Flinta, Nauka, 1997, 256 p.

Vardzelashvili Zh. A. Semantizatsiya znaka. Mnogotochie kak simvolika molchaniya [Sign semantics. Ellipsis as a symbol of silence]. In: Slavistika v Gruzii [Slavistics in Georgia]. Tbilisi, TSU, 2009 iss. 10. URL: http://vjanetta.narod.ru/ kiev2014.html (accessed 14.01.2023).

Vinogradov V. V. O yazyke khudozhestvennoy literatury [About the language of fiction]. Moscow, Goslitizdat, 1959, 656 p.

Vykhodtseva M. Ya. Kavychki v sisteme russkogo yazyka [Quotation marks in the Russian language system]. Abstract of Cand. philol. sci. diss. Volgograd, 2003, 20 p.

Zaliznyak Anna A. Semantika kavychek [Quotation mark semantics] In: Tr. Mezhdunar. seminara Dialog’2007 po komp’yuternoy lingvistike i ee prilozheniyam [Proc. of the Intern. seminar on computer linguistics and its applications. Dialog’2007]. Moscow, 2007, pp. 188–193. URL: http://philology.ru/linguistics2/zaliznyak_anna-07.htm (accessed 14.01.2023).

Zubova L. V. Poeticheskiy yazyk Iosifa Brodskogo: Stat’i [oetic language of Joseph Brodsky: Articles]. St. Petersburg, LEMA, 2015, 195 p.

Zubova L. V. Yazyki sovremennoy poezii [Languages of modern poetry]. Moscow, New Literary Observer, 2010, 384 p. URL: http://plr.iling-ran.ru/ru/node/111 (accessed 14.01.2023).

Institute of Philology
Nikolaeva st., 8, Novosibirsk, 630090, Russian Federation
+7-383-330-15-18, ifl@philology.nsc.ru
© Institute of Philology