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DOI: 10.25205/2410-7883 Roskomnadzor certificate number Эл № ФС 77-84792 | |
Syuzhetologiya i Syuzhetografiya | |
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ArticleName: The Image of the Motherland in the Works of Xiao Hong (Based on the Material of the Novel “The Tale of the Hulan River”) Authors: Feng Yishan Changchun University, Changchun, China In the section The Plot in Literature and Folklore
Abstract: The relevance of the study is based on the interest of modern literary studies to the study of conceptual images of national literatures, formed by the basic universals of ethnic consciousness and found themselves in a situation of frontier coexistence and interethnic interaction. The study relies on biographical, cultural-historical and structural-semantic methods in analyzing Xiao Hong’s texts. The author uses cultural-historical, biographical, translation and immanent analysis methods. The author concludes that the image of homeland in Xiao Hong’s works is conditioned by the influence of the writer’s childhood impressions, her memories of her small homeland – the town of Hulani, as well as by Xiao Hong’s innovative desire to capture the heritage of the feudal past in the minds of ordinary people of the North-east. Intuitively finding ways of socio-cultural and socio-psychological analysis, Xiao Hong meticulously recreates the unsightly aspects of life of the Chinese of the early 20th century, living in the captivity of traditional feudal orders and ideas. But the subject organization of the narrative – lyricization coupled with autobiography – explicates the basic ethnic notions that determine the Chinese attitude to their homeland and native land. “Hulan” is the first ethnographic and at the same time deeply patriotic work of the Chinese writer, who revolutionized the artistic thinking of China in the first half of the 20th century. Keywords: Chinese prose, image of homeland, northeastern Chinese writers, Xiao Hong, Hulan, ethnic consciousness, artistic ethnography Bibliography: Chzhun Yaocyun’. Duanmu Hongliang and Xiao Hong. Beijing, 1998. (in Chin.) Cin’ Chzhihua. Conversations about the Northeast Writers’ Group. Ginseng, 2014, no. 7, pp. 159–160. (in Chin.) Czi Hunchzhen’. Biography of Xiao Hong. Beijing, 2008. (in Chin.) Duan’ Cunsyue. Images and themes of “Tales of the Hulan River”. Series of studies of modern Chinese literature, 2014, no. 7, pp. 1–13. (in Chin.) Li Chzhunhua. A new look at the novel “The Tale of the Hulan River”. Social Sciences of Daqing, 2011, no. 1, рр. 149–153. (in Chin.) Lin’ Syan’chzhi. Wanderer Xiao Hong. Beijing, 2009. (in Chin.) Mo Shan’shan’. The embodiment of the image of the motherland in “The Tale of the Hulan River” by Xiao Hong. Interpretation of masterpieces of literature, 2017, no. 12, pp. 69–70. (in Chin.) Syao Baofen. The aesthetics of desolation in “The Tale of the Hulan River”. Journal of Zhuzhou Teachers College, 2006, no. 11 (4), pp. 61–64. (in Chin.) Van Czin’sun. Leftist cultural activity and Xiao Hong in the early period of the Anti-Japanese War. Journal of Chongqing Normal University, 2018, no. 5, pp. 48–59. (in Chin.) Van Gujcin, Yao Zhobin. Typology of plots in the cycle “Nature” – “Field of Life and Death”. Collection of arguments by Dong Yue, 2012, no. 9, pp. 59–61. (in Chin.) Van Pejyuan’. About a group of writers of the North-East. Series of studies of modern Chinese literature, 1992, no. 1, рр. 303–304. (in Chin.) Yao Zhun’nan’. Homeland is a sad and euphemistic ballad. Reading “The Tale of the Hulan River” by Xiao Hong. Reading and Writing. Series: Education and pedagogy, 2018, no. 15 (01), pp. 125–126. (in Chin.) Zabiyako A. A., Chzhou Sin’yuj, Lyu Shi, Fen Ishan’, Cyuj Chzhi. Religioznaya zhizn’ severo-man’chzhurskogo goroda pervoy poloviny XX v. (Pavel Shkurkin) [Religious life of a northern Manchurian city in the first half of the 20th century. (Pavel Shkurkin)]. Religious Studies, 2022, no. 3, pp. 64–76. (in Russ.) |
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