 | I. E. Loshchilov
Two notes on the poetics of Marina Tsvetaeva
In detail |
| | R. S. Voitekhovich
On the Russian bezmernost’ of Tsvetaeva and Transmarine bezbrezhnost’
of Balmont
In detail |
| | O. A. Skripova
The Leader Image in M. Tsvetaeva’s Autobiographical Myth (On the
Basis of the Poem «On the Red Horse» and the Essay «Devil»)
In detail |
| | N. V. Barkovskaya
«Word Unusual – an Old Woman...»: About One Mythologeme in
M. Tsvetaeva’s Lyrics
In detail |
| | N. V. Prodanik
The Image of the Modernist Reader in Russian Painting and Early Lyrics
by M. Tsvetaeva
In detail |
| | S. A. Akhmadeeva
«Foreign» (Quotes, Allusions and Reminiscences) as «Ours», and
«Ours» (Self-Quotes and Self-Reminiscences) as «Foreign» in Marina Tsvetaeva’s
Letters and Diary Texts
In detail |
| | S. Yu. Kornienko
«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure
and Marina Tsveataeva’s Author’s Projections
In detail |
| | T. I. Podkorytova
The Variations of Archaic Plot about Calling the Singer at the End of
Mousikē Tradition («Ballada» by Vl. Khodasevich and Poem «Na Krasnom
Kone» by M. Tsvetaeva)
In detail |
| | N. O. Laskina
Marina Tsvetaeva and Anna de Noailles: The Possibilities of Dialogue
In detail |
| | A. V. Podvornaya
«Roses of Tadema» (Alma-Tadema Lawrence in the Artistic Reception
of I. Annensky)
In detail |
| | V. V. Maroshi
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
In detail |
| | K. V. Anisimov
Bunin and the Tolstoy’s Paradigm of «Master and Man»: The «Snowstorm
(Con)text» of the Philosophy of Subject
In detail |
| | L. V. Mashtakova
The Three Philosophical and Critical Books by Vyacheslav Ivanov
as the Artistic Unity and the Cultural and Philosophical Manifesto
In detail |
| | A. E. Moskaleva
Harlequin and Pierrot in the Works of Rainer Maria Rilke
In detail |
| | G. A. Zhilicheva
Theatralisation of the Narrative in Post-Symbolist Novels
In detail |
