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Institute of Philology of
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DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: Verbalization of music as semiotic transmutation Authors: E.E. Brazgovskaya Perm State Humanitarian Pedagogical University
Abstract: This article discusses the semiotics of music: music as a language (semiotic system), verbal descriptions of music (literary and artistic interpretations) as its translation. We analyzed two experiments of verbal interpretation of Frederic Chopinʼs Waltz cis-moll and defined reasons having a consequence that a translation of music is always probabilistic. Keywords: semiotic transmutation, semiotics of music, semantics of music, probabilistic interpretation Bibliography: Aranovskiy M.G Thinking, language, semantics // Problems of musical thinking. M.: Music, 1974. P. 90-128. Bernstein L. Concerts for youth. Leningrad: Soviet composer, 1991. Borisov U. Towards Richter: 1979-1983. URL: http://www.sviatoslavrichter.ru/books/Borisov/22.php Ginsburg L. About the lyrics. M.: Intrada, 1997. Ianov V.Vs. The boundaries of semiotics: a preliminary discussion questions // Contemporary semiotics and the humanities. Moscow: Languages of Slavic Cultures, 2010. Pp. 31-51. Langer S. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. M.: The Republic, 2000. Lotman Y.S. Semiosphere. St. Petersburg.: Arts-SPb, 2010. Mandelstam O. Poems. Translations. Essays. Article. Tbilisi: Merani, 1990. Machov A.E. MUSICA LITERARIA: Idea of verbal music in European poetics. M.: Intrada, 2005. Mezhelaytis E. Collected Works. Vol. I. Poems. M.: Fiction, 1977. Skvortsov F. Fourteen Waltzes and one life. Ex Libris / Nezavisimaya Gazeta, May 25, 2001. Stendhal. Letters about the famous composer Haydn / / Stendhal. Works in 15 volumes. Volume VIII. Pp. 5-160. Huxley O. Counterpoint // A. Huxley Favorites. Moscow: Raduga, 2000. Hitrik I. Lyrical diary by Chopin. Book for musicians and music lovers. Moscow-Paris-New York: Third Wave, 2001. URL: http://chopindiary.narod.ru/ 1_21.html Hofstadter D. Godel, Escher, Bach: this endless garland. Samara: New Publishing House "Bachrach-M", 2001. Eco U. Say almost the same things. Experiments on translation. St. Petersburg.: Symposium, 2006. Barthes R. Elements of Semiology / Trans. A. Lavers, C. Smith. N. Y.: Hill and Wang, 1967. Benveniste É. The Semiology of Language // Semiotics: An Introductory Reader / Ed. by R. E. Innis. L.: Hutchinson, 1986. Р. 228-246. Сluver C. The Musikgedicht. Notes on an Ekphrastic Genre // Word and Music Studies Defining the Field: Proceedings of the First International Conference on Word and Music Studies at Graz. 1997. Vol. 352. Р. 187-203. Iwaszkiewicz J. Sny. Ogrody. Sérénité . Warszawa: Czytelnik, 1974. Iwaszkiewicz J. Chopin. Kraków: Polskie wydawnictwo muzyczne, 1976. Iwaszkiewicz J. Wiersze. Warszawa: Czytelnik, 1977. T. 2. Iwaszkiewicz J. Opowiadania muzyczne. Warszawa: Czytelnik, 1971. Iwaszkiewicz J. Muzyka wieczorem. Warszawa: Czytelnik, 1980.Iwaszkiewicz J. Jan Sebastian Bach. Kraków: Polskie wydawnictwo muzyczne, 1985. Iwaszkiewicz J. Spotkania z Szymanowskim. Krakow, PWM, 1986. Wyd. 4. Iwaszkiewicz J. Podróże do Włoch. Warszawa: Państwowy Instytut Wydawniczy, 2008. Iwaszkiewicz J. Dzienniki 1911–1955. T. I. Warszawa: Czytelnik, 2010. Jakobson R. On linguist aspects of translation // The translation studies reader / Ed. by L. Venuti. L.; N. Y.: Routledge, 2000. Р. 113–118. Lidov D. Is Language a Music? Writings on Musical Form and Signification. Bloomington: Indiana Univ. Press, 2005. Minahan J. A. Word like a bell: John Keats, music and the romantic poet. Kent, OH: Kent State Univ. Press, 1992. Neubauer J. The Emancipation of Music from Language: Departures from Mimesis in Eighteenth-Century Aesthetics. New Haven, CT: Yale UP, 1986. Prieto E. Listening In: Music, Mind, and the Modernist Narrative. Lincoln, NE: Univ. of Nebraska Press, 2002. Tarasti Е. Signs of Music: A Guide to Musical Semiotics. N. Y.: Mouton de Gruyter, 2002. Tarasti Е. Existential Semiotics. Bloomington; Indianapolis: Indiana Univ. Press, 2001. |
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