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Institute of Philology of
the Siberian Branch of Russian Academy of Sciences |
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DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: Day Stars and Pervorossiisk by Olga Berggolts in the Light of Poetic Cinematograph Authors: T. V. Zvereva Udmurt State University, Izhevsk, Russian Federation
Abstract: The paper considers the book Day Stars and the narrative poem Pervorossiisk by Olga Berggolts from an interdisciplinary perspective. The works were screened by Igor Talankin and Evgenii Shiffers. According to the author of the research, it is these films that define meaning-making mechanisms of Berggolts’s creative activity. A night dream mode of film narration is determinant for I. Talankin’s Day Stars; the search for the form, which is able to communicate the book structure as well as a whimsical game of human memory, comes to the fore. The film making became a testing site for Evgenii Shiffers where his religious and philosophical ideas were performed. The film Pervorossiyane is not just setting an event line in terms of visual patterns but the narrative poem reproduced via a film and thought solely in a religious and drama mystery light. Keywords: intermediality, film adaptation, myth, O. Berggolts, I. Talankin, E. Shiffers Bibliography: Basinsky P. “Ubejte, no ne pugajte menya”. Otryvki iz zapreshhennyh dnevnikov Olgi Berggolts [“Kill, but do not frighten me”. Fragments from Olga Berggolts forbidden diaries]. The Russian newspaper, 2010, no. 84 (5163). (in Russ.) Butovsky Ya. “Pervorossiyane” (1966–2009) [“Pervorossiyane” (1966– 2009)]. Kinovedcheskie zapiski [Cinematology notes], 2003, no. 92, p. 184–193. (in Russ.) Bykov D. Olga Berggolts. The layman, 2016, no. 9. (in Russ.) Geller L. Vaginov i ekfrasis kak put’ k kinopis’mu [Vaginov and ekphrasis as a way to the film letter]. In: Avtukhovich T. (ed.). Teorika i istorika ekfrasisa: Itogi i perspektivy izucheniya [The theory and history of ekphrasis: Results and studying prospects]. Siedlce, 2018, p. 123–149. (in Russ.) Grichanina V. V. Avtobiograficheskoe nachalo i formy ego proyavleniya v knige O. Berggolts “Dnevnye zvezdy” [The autobiographical beginning and forms of its display in O. Berggolts’s book “Day stars”]. Nauka i sovremennoе obshchestvo: vzaimodejstvie i razvitie [Science the society also is modern: interaction and development], 2019, no. 1 (6), p. 126–132. (in Russ.) Gromova N. Smerti ne bylo i net. Opyt prochteniya sud’by [Death were not and are not present. Experience of perusal of destiny]. Moscow, Redaktsiya Eleny Shubinoy, 2018, 384 p. (in Russ.) Demidova A. Omut vremeni [Time whirlpool]. Moscow, AST Publ., 2019, 384 p. (in Russ.) Dobrenko E. Pozdniy stalinizm: estetika politiki [Late Stalin epoch: a policy aesthetics]. Moscow, Novoe literaturnoe obozrenie, 2020, vol. 1, 720 p. (in Russ.) Kuraev M. Berggolts i pervorossiyane [Berggolts and pervorossiyane]. Neva, 2010, no. 5, p. 217–212. (in Russ.) Leiderman N. L., Lipovetsky M. N. Russkaya literatura ХХ veka (1950– 1990-e gody) [The Russian literature of the 20 th century (1950–1990s)]. In 2 vols. Moscow, Akademiya, 2008, vol. 1, 416 p. (in Russ.) Longina-Sokolova L. Raspyatyi shut [The crucified clown]. Kinovedcheskie zapiski [Cinematology notes], 2003, no. 92, p. 217–236. (in Russ.) Margolit E. Zhivye i mertvye. Zametki k istorii sovetskogo kino 1920– 1960-kh godov [Live and dead. Notes to history of the Soviet cinema of 1920– 1960s]. St. Petersburg, Masterskaya “Seans”, 2012, 560 p. (in Russ.) Mikhalkovich V. Izbrannye rossiyskie kinosny [The selected Russian film dreams]. Moscow, Agraf, 2006, 320 p. (in Russ.) Panich Yu. Gorestnoe posleslovie [Sad epilogue]. Kinovedcheskie zapiski [Cinematology notes]. 2009, no. 92, p. 201–208. (in Russ.) Prozorova N. A. Semantika prostranstva v khudozhestvennom mire O. Berggolts [Semantics of space in O. Berggolts's art world]. Filologicheskii klass [Philological class], 2019, no. 4 (58), p. 84–100. (in Russ.) Rokityansky V. Teatr Evgenija Shiffersa [Evgenie Shiffers’s theatre]. Peterburgskiy teatral’nyi zhurnal [The Petersburg theatrical magazine], 2007, no. 2. (in Russ.) Trubetskoy E. Tri ocherka o russkoy ikone [Three sketches about Russian icon]. Moscow, InfoArt, 1991, 111 p. (in Russ.) Tynyanov Yu. N. Poetika. Istoriya literatury. Kino [Poetics. History of literature. Cinema]. Moscow, Nauka, 1977, 574 p. (in Russ.) Fromm E. Dusha cheloveka [Soul of the person]. Moscow, AST LTD, 1998, 664 p. (in Russ.) Khrenkov D. T. Vstrechi s druz’yami: izbrannoe [Meetings with friends: the selected works]. Leningrad, Sov. pisatel’, 1986, 702 p. (in Russ.) Yakobson R. O lingvisticheskikh aspektakh perevoda [About linguistic aspects of transfer]. In: Voprosy teorii perevoda v zarubezhnoy lingvistike [Questions of the theory of transfer in foreign linguistics]. Moscow, Mezhdunarodnye otnosheniya, 1978, p. 16–25. (in Russ.) Paperno I. Stories of the Soviet Experience: Memoirs, Diaries, Dreams. Ithaca, Cornell UP, 2009, 304 p. |
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