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Institute of Philology of
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DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: Affective Narratology: The Representation of Anxiety in Fictional Narrative Authors: L. E. Muravieva St. Petersburg State University, St. Petersburg, Russian Federation; Russian State University for the Humanities, Moscow, Russian Federation
Abstract: The present article attempts to reveal forms of representation of anxiety in fictional narrative. We propose to consider two main ways of representation of the narrative anxiety: Mimetic and Diegetic, which are constructed based on three parameters: (1) orientation towards the subject vs. the event; (2) participation in construction of the narrative intrigue, and (3) explicit (“semiotic”) vs implicit (“cognitive”) form of representation of the narrative. Analysis of the narrative anxiety representation is based on recent research in the field of cognitive narratology and affective narratology, as well as on a semiotic approach to text analysis. Keywords: narrative, emotion, anxiety, affective narratology, cognitive narratology Bibliography: Baroni R. La tension narrative: suspense, curiosité et surprise. Paris, Seuil, 2007, 437 p. Bishop S. J. Neurocognitive mechanisms of anxiety: an integrative account, In: Trends in Cognitive Sciences, 2007. DOI 10.1016/j.tics.2007.05.008 Booth W. C. The Rhetoric of Fiction. London, University of Chicago Press, 1965, 455 p. Bou Maqueda E. “Time and memory: Camí de sirga and Les veus del Pamano”. Digithum, 2013, no. 15, p. 26–32. URL: https://www.raco.cat/ in-dex.php/Digit/article/view/n15-bou (accessed: 23-08-2020). Caracciolo M. The Experientiality of Narrative: An Enactivist Approach. Berlin, de Gruyter, 2014, 231 p. Carracciolo M., Guédon C., Kukkonen K., Müller S. The Promise of an Embodied Narratology: Integrating Cognition, Representation and Interpretation. In: Emerging Vectors of Narratology. Berlin: De Gruyter, 2017, p. 435–459. Damasio A. R. Descartes’ error: Emotion, reason, and the human brain. New York, G. P. Putnam, 1994, 336 p. Elster J. Alchemies of the mind: rationality and the emotions. Cambridge, New York, Melbourne, Cambridge University Press, 1999, 450 p. Fludernik M. Towards a “natural” narratology. London, New York, Routledge, 1996, 454 p. Freud S. Tormozhenie, simptom i trevoga [Inhibitions, Symptoms and Anxiety (Hemmung, Symptom und Angst (1926))]. In: Psikhoanaliticheskaya khrestomatiya. Klassicheskie trudy. Moscow, Guerrus, 2005, p. 15–79. (in Russ.) Genette G. Figures 3. Paris, Éditions du Seuil, 1972, 288 p. Hogan P. C. Affect Studies and Literary Criticism. 2016. DOI 10.1093/ acrefore/9780190201098.013.105 Hogan P. C. Affective narratology: The emotional structure of stories. Lincoln, NE, University of Nebraska Press, 2011, 304 p. Izard C. E. Emotsii cheloveka [Human Emotions (1977)]. Moscow, MSU Press, 1980, 439 p. (in Russ.) Kukkonen K., Caracciolo M. “Introduction: What Is the ‘Second Generation?’” Style, 2014, vol. 48, no. 3, p. 261–274. Lacan J. Seminary. Kniga 10. Trevoga [Anxiety: The Seminar of Jacques Lacan Book X (Le séminaire, livre 10: L’angoisse (1962–1963))]. Moscow, Gnozis, Logos, 2010, 424 p. (in Russ.) May R. Smysl trevogi [The Meaning of Anxiety (1977)]. Moscow, Klass Publ., 2001, 379 p. (in Russ.) Palmer A. Fictional minds. Lincoln, University of Nebraska Press, 2004, 275 p. Prikhozhan A. M. Formy i maski trevozhnosti. Vliyanie trevozhnosti na deyatel’nost’ i razvitie lichnosti [Forms and masks of anxiety. The influence of anxiety on activity and personality development]. In: Trevoga i trevozhnost’: khrestomatiya. Moscow, Per Se, 2008, p. 221–240. (in Russ.) Rabinowitz P. J. Showing vs Telling. In: The Routledge Encyclopedia of Narrative Theory. London, Routledge, 2005, p. 530–531. Ricoeur P. Vremya i rasskaz Tom 2. Konfiguracii v vymyshlennom rasskaze [Time and Narrative 2 (Temps et récit 2. La configuration dans le récit de fiction (1984))]. St. Petersburg, Universitetskaya kniga Publ., 2000, 224 p. (in Russ.) Stockwell P. Cognitive Poetics. An Introduction. London, New York, Routledge, 2002, 204 p. |
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