 | O. A. Radchenko
Metacriticism in Yu. S. Stepanov’s Language Philosophy
In detail |
| | V. Z. Demyankov
On Eternal Value of Ideas in Their Momentary Actuality
In detail |
| | V. I. Karasik
On Philological Thinking
In detail |
| | S. T. Zolyan
Semiopoesis: Formation of Meaning
in Molecular Genetics and Biosemiotics
In detail |
| | V. V. Feshchenko
In the Three-Dimensional Space of Linguistic Theory
and Literary Experiment
In detail |
| | V. I. Zabotkina
Language and Culture: Within the Four Dimensions
In detail |
| | M. I. Kiose
Yu. S. Stepanov’s Method of Ascension
and Cognitive-Semiotic Dimensions
of Optimal Linguistic Creativity
In detail |
| | T. B. Radbil
Active Processes in the Syntax of Modern
Russian Speech in the Aspect of Linguo-Semiotic
and Linguo-Cognitive Interpretation
In detail |
| | T. E. Yanko
The Meaning of Pluperfect:
Lexical and Grammatical Semantics
In detail |
| | M. L. Kovshova
Semantics of Adjective radostny
and Conceptualization of the Emotional Evaluation
In detail |
| | O. G. Revzina
Dream and Fiction
In detail |
| | D. I. Ivanov, D. L. Lakerbai
Between “Scyllae” and “Charybdae”,
or Theory’s Attempt in the Era of Research Practices
In detail |
| | N. N. Shpilnaya
Signifier as Signified:
Predictive Concept
of Semiosis of the Phonetic Plan of Speech
In detail |
| | I. V. Vysotskaya
The Expansion of the Preposition pro in Modern Russian Speech, or The Latest Russian Rhetoric
In detail |
| | L. E. Muravieva
Affective Narratology: The Representation of Anxiety in Fictional Narrative
In detail |
| | O. N. Kuptsova, E. K. Sozina
Chekhov’s Plays
as the Basis of Metatheatral Performances in the 2010s
In detail |
| | E. N. Proskurina, P. V. Proskurina-Yanovich
Marina Tsvetaeva and Anatoly Steiger:
A Novel in Letters (Reconstruction Attempt)
In detail |
| | E. B. Kryukova, O. A. Koval
The Literary Madness:
Language as an Indicator of Insanity
in the Fiction of the 20th Century (1920s)
In detail |
| | F. V. Kuvshinov
“Hidden” Anecdote:
About the “Historical Episode” by D. I. Kharms
In detail |
| | G. D. Drobinin
Our Own Personal Jesus,
or Phenomenon of “Walks on Water” by I. Kormiltsev
In detail |
| | T. S. Simyan
“Russian” and “Soviet” Plot
in the Literary Works of Yoko Tavada
In detail |
| | S. A. Ogudov
Narrative Distance in Screenplay:
“The Heir to Genghis Khan” by Vsevolod Pudovkin
In detail |
| | T. V. Zvereva
Day Stars and Pervorossiisk by Olga Berggolts
in the Light of Poetic Cinematograph
In detail |
| | F. S. Androsova
Eagle Image in the Contemporary Movie Text
(“Toyon Kyyl” by E. Novikov as a Case Study)
In detail |
| | A. V. Markov, O. V. Fedunina
Yorinda and Yoringel by Bodo Fürneisen:
Type of the Hero and Trial in Screen-Presented Fairy Tale
In detail |
